Here’s how Nahum Barnea, perhaps Israel’s most prominent columnist, anticipated the release yesterday afternoon of the long-awaited Winograd Committee report on the 2006 war in Lebanon:
We experienced a failed war during the past summer. It was Israel’s most exposed war. We knew in real time almost everything that was said in the cabinet and in the corridors of the General Headquarters; we knew about the mishaps and the foul-ups, about the army’s helplessness at the frontlines and the collapse of the home front.
It wasn’t the hunger for answers that led to the establishment of the Winograd Commission; it was the need for punishment.
In the new issue of the Armed Forces Journal, Lieutenant Colonel Paul Yingling, deputy commander of the 3rd Armored Cavalry Regiment and a distinguished veteran of two combat tours in Iraq (three, if you count Operation Desert Storm), has written a blistering critique of American generalship. His article is attracting well-justified attention, such as this Washington Post article by Tom Ricks and Gabriel Schoenfeld’s short take on it here.
Yingling’s article flies in the face of attempts by some civilian and military critics to lay the blame for all that has gone wrong in Iraq exclusively at the feet of George W. Bush, Donald Rumsfeld, and other civilian leaders. No doubt Bush and his cabinet are guilty of appalling errors of judgment; ultimately the buck stops in the Oval Office. But, as in the Vietnam war, our senior military leaders deserve their share of blame for trying to fight an insurgency with the tools and tactics of conventional war.
I have been hearing grumbling for a while from the uniformed ranks about the quality of their senior leaders. But until now, few soldiers have had the cojones to speak out publicly. Yingling has broken the code of omertà, at considerable risk to his own career.
The plan to move the Barnes Foundation from suburban Merion to central Philadelphia took another step forward last Friday when a short list of six architects was announced. The Barnes, of course, houses the peerless collection of post-Impressionist and modernist paintings of Dr. Albert C. Barnes, which until recently was accessible only to the students of his idiosyncratic school of art. Since a controversial 2004 court decision permitted the trustees of the Barnes to relocate its collection to a site near the Philadelphia Museum of Art, the foundation has been preparing to build a new museum.
According to Inga Saffron, architecture critic for the Philadelphia Inquirer, the short list is a fashionable roster of current celebrities: Rafael Moneo, the Spanish designer of the new Los Angeles Catholic Cathedral; Tadao Ando, the Japanese specialist in museum architecture; Thom Mayne of Morphosis, a Los Angeles firm whose work has an assertively theoretical character; and Kengo Kuma, a Japanese minimalist who works with traditional materials. The final two firms on the list, coincidentally, are the husband-and-wife teams I mentioned here last week: Tod Williams and Billie Tsien, designers of the American Folk Art Museum, and Diller Scofidio + Renfro, whose Institute of Contemporary Art opened in Boston last fall.