Commentary Magazine


Posts For: June 8, 2007

Weekend Reading

“The news from Israel is of headache and annoyance, trouble and difficulty.” These words—written by Milton Himmelfarb in COMMENTARY just months after Israel’s victory in the 1967 Six-Day War—have proved to be of timeless relevance. And never more relevant than today, on the fortieth anniversary of that war, when numerous observers have concluded that Israel’s smashing victory in that hair’s-breadth conflict led to nothing but decades of even worse “headache and annoyance, trouble and difficulty.”

But Himmefarb himself did not stop there. “The news from Israel is of headache and annoyance, trouble and difficulty,” he wrote, and then continued: “We have almost forgotten the joy of unbelievable victory.”

COMMENTARY devoted most of its August 1967 issue to the war. In his “Letter from the Sinai Front,” Amos Elon narrated the Israeli experience from the closest of perspectives. Widening the lens to the utmost, Theodore Draper explored the “peculiar combination of internal and external forces” in world politics that led to the war, while Walter Laqueur examined Israel’s radically changed place among the nations in its aftermath. As for the war’s impact on American Jews, Arthur Hertzberg argued that it had caused an “abrupt, radical, and possibly permanent change.”

And speaking of timelessly relevant words: only months later, Martin Peretz would be writing in COMMENTARY about the momentous turn of the American Left against the Jewish state. Thirty years later, on the occasion of a half-century of Jewish sovereignty, the great British historian Paul Johnson confidently predicted that Israel itself, the “product of more than 4,000 years of Jewish history,” fully deserved to be known forever, and to be celebrated forever, as a “Miracle.”

In that Johnsonian spirit, we offer all of these articles for your weekend’s reading.

Vladimir the Sly

Yesterday, Russian President Vladimir Putin surprised everyone by dropping his vociferous opposition to the U.S.-proposed missile defense system in Europe. The Pentagon had contemplated basing a newly developed radar system in the Czech Republic and ten interceptor missiles in Poland, which Putin opposed. But the Russian president, after days of public ranting, suddenly came up with a compromise, suggesting that the U.S. use an existing Soviet-era radar system in Azerbaijan. He also suggested using missiles carried by American Aegis cruisers, which could be linked to the Azerbaijan facility, currently leased to Russia.

It seems unlikely, however, that he has had an actual change of heart. Earlier this week he threatened to target Europe with his nukes if America went ahead with the original plan. He spoke of “retaliatory steps” and a new cold war, and said America’s notion of missile defense fundamentally threatened Russia.

What game is Putin playing? He can’t actually be worried that the Pentagon’s plan is secretly directed against Russia. The country’s missile arsenal can currently deliver more than 2,460 nuclear warheads to targets all over Western Europe. No extant missile-defense system—especially one with only ten interceptor missiles—can offer any protection against such a massive salvo. So it’s not immediately clear why the normally reserved Russian went (as it were) ballistic earlier this week. Pundits suggested that Putin did not want to see further American encroachment on Moscow’s traditional spheres of influence. But national leaders rarely threaten Armageddon in the course of policy statements. What vital nerve did Washington touch?

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Getting to Know Grieg

Some composers, such as Frédéric Chopin (1810-1849) or Edvard Grieg (1843-1907), suffer from overexposure. Music lovers feel that they “get” these composers because of their obvious lyricism, and conclude that their works possess no further mystery. In fact, both Chopin and Grieg are profound composers: the more we study their music, the more it reveals. Since 1991, the Grieg Society of New York has done stalwart work on behalf of its namesake, with extra effort put into this year’s events commemorating the centenary of Grieg’s death in 1907.

On September 23 at Carnegie Hall’s Weill Recital Hall, the cellist Darrett Adkins will perform Grieg’s Cello Sonata as part of a program of Norwegian cello music. On October 26, the Norwegian violinist Ole Böhn will play Grieg’s complete violin sonatas at New York’s American-Scandinavian Foundation. And on December 9 at Zankel Hall at Carnegie Hall, the society’s founder and president Per Brevig will conduct members of the Metropolitan Opera Orchestra and the New York Philharmonic in a concert featuring Grieg’s beloved Holberg Suite.

Norwegian-born maestro Brevig is an apt representative of the diversity of Grieg’s musical legacy. After a legendary career from 1968 to 1994 as principal trombonist of the Metropolitan Opera Orchestra, Brevig became a conductor, currently serving as music director of the East Texas Symphony Orchestra, although his lyric grasp of the orchestral and operatic repertory should have led to invitations to the Met and New York City Opera years ago. (Fortunately, Norwegians seem to be gifted with a Lutheran sense of patience and stoicism.)

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Torture at the New York Times

Working at the New York Times would seem to be one of the most glamorous jobs imaginable, what with consorting with legendary editors, rendezvousing with anonymous sources, occasionally making headlines and history, and bathing 24/7 in a jacuzzi of prestige.

But that is only the appearance. The reality is something else. Because what the public does not know, but Timesmen know all too well, is that if one works at the Times, one has to contend with what are known to all, and dreaded by all, as the Internal Consultants.

The Internal Consultants are the brainchild of Arthur Sulzberger, Jr., the newspaper’s publisher. Their exact number and composition are closely guarded secrets, but they enforce certain organizational norms, especially regarding the all-important indicator of diversity.

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