If you talk to orchestral musicians, inevitably the conversation turns to complaints, sometimes of intense vehemence, about conductors. Indiana University Press has just given us, in The Right Place, The Right Time!: Tales of Chicago Symphony Days by distinguished flutist Donald Peck, one of the most candid examples in print of this phenomenon.
For over 40 years, Peck was principal flutist of the Chicago Symphony Orchestra, where he played under four music directors and made 300 records with the group. Highlights included recordings of Richard Strauss with the fiery conductor Fritz Reiner (1888–1963), the orchestra’s music director from 1953 to 1962. Peck reports that after recording Strauss’s tone poem Don Juan in a single take, “Reiner sat on the podium looking completely fulfilled.” Peck also lauds the “symbiotic relationship” between the CSO and its director from 1969 to 1991, the Hungarian-born Georg Solti, despite Solti’s rehearsal habit of addressing the orchestra in garbled English: “I need a few help,” “I will faster as I was,” and “Softer your noise passion.”