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Springtime for Dubya?

I’m sure you’re looking forward to the new off-Broadway musical, “Signs of Life,” which offers what promises to be a wonderfully tuneful look at the Thereseinstadt concentration camp. But it turns out, according to tomorrow’s New York Times, that the musical really isn’t about the Holocaust after all, which is probably a wise thing, since The Producers got there first with its signature number, “Springtime for Hitler.” No, it turns out, the Holocaust exists as a dramatic trope to teach us lessons about America in the age of Bush:

That show, which had its premiere on Thursday, centers on Lorelei, an artist who agrees to create pretty pictures of the camp for Nazi propaganda but who, with other prisoners, schemes to get her drawings of the real horrors to the outside world.

“The message of our show is not ‘Killing Jews is bad,’ ” Mr. Derfner said. “It’s: ‘What do you do when you find out you’ve been lied to? What is telling the truth worth?’ In the last 30 years this question has been vital to American life and especially so in the last nine years.”

No, this is not, as they say, from The Onion.



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