Erbil, Iraq. In the lobby of a certain hotel in the Kurdish city of Erbil, you find the familiar row of wall clocks indicating current time in various metropolitan hubs. Only something breaks your heart a little about the local twist put on this fixture of jet-set urbanity. Between clocks whose faces have been factory-stamped Istanbul or New York or Madrid, you see one displaying local time, and it looks like the others except for a single, small anomaly. The Erbil hasn’t been emblazoned onto the clock face by a manufacturer’s machine. It’s been printed out, in ordinary bold font, onto computer paper; cut down to a word-sized rectangle; and glued over the name of some other magnificent city.
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