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Hollywood Irony Watch: Political Fantasist Sorkin Calls Palin a Fake

In the 1990s, liberals weren’t entirely happy with a triangulating and philandering Bill Clinton, but they were able to escape from that reality in a movie written by Aaron Sorkin called The American President, in which Michael Douglas plays a Clinton-like chief executive. The biggest difference between the movie and real life was that the president in the film didn’t have an annoying Hillary-type wife around to cramp his style, since, in the script, she is conveniently dead. That allowed the movie prez to date a hot DC lefty lobbyist played by Annette Bening. In the film, both liberalism and love triumph as the president eschews a Clintonesque pragmatic compromise in order to win back his girlfriend. The film inspired a TV series, The West Wing, also written by Sorkin. That show (which ran from September 1999 to May 2006) depicted the doings of another fictional White House and enabled liberals to escape into a fantasy world in which the George W. Bush administration didn’t exist.

Sorkin is reported to be currently working on adapting a tell-all book about John Edwards for the silver screen, but he took time out from his labors to blog at the Huffington Post about another TV series with heavy political overtones: TLC’s Sarah Palin’s Alaska.

It’s hardly a surprise that a lefty like Sorkin has no use for Palin, but his denunciation of her show was focused primarily on his opinion that its depiction of the former governor as an outdoorswoman was largely fake and also because it showed fish and animals being killed. The TLC channel responded to his accusations by saying that, contrary to Sorkin’s accusation, there was no hair and makeup trailer standing by as Palin shot at a caribou in the wild. But frankly, who cares? All reality shows are to some extent fake, even if the characters are real people rather than fictional characters.

But one needn’t be a fan of Palin to observe that a person who has made a nice living producing politically slanted movies and TV shows — all of which were intended to promote the sort of liberal politics Sorkin likes and to generally trash conservatives — is in no position to cry foul over Sarah Palin’s Alaska. Unlike The American President and The West Wing, Palin’s show doesn’t pretend to be art. It’s just pure Palin and should be judged as such. That makes it a good deal more honest than Sorkin’s more sophisticated productions.

Sorkin’s second accusation is that Palin’s show is, in effect, a politically motivated “snuff film” because (unlike that disclaimer at the end of every movie you see these days) animals were definitely harmed in the making of the show. Now for those of us who don’t number among the 10 percent of Americans who hunt, this may be gruesome stuff. Yet Sorkin goes further and claims there’s no difference between the Great White Huntress Palin and dog killer/quarterback Michael Vick.

Now it is one thing to have moral qualms about hunting animals for sport (despite Palin’s claim in the show that the animals actually have the advantage, I think that would be true only if they had guns and could shoot back). But it is another to damn her as a murderer and to express, as Sorkin does in a sentence replete with profanity, joy over instances of hunters killing each other by accident. After all, approximately 30 million Americans hunt. And a lot of those people are Democrats and others who share Sorkin’s liberal views.

Sorkin claims the caribou that Palin kills in one episode “was the first moose ever murdered for political gain.” Maybe, but it’s funny that Sorkin doesn’t seem to remember the goose that was murdered in a vain attempt to save John Kerry’s candidacy in October 2004. Desperate to establish a sense of authenticity, Kerry bought a hunting license, donned camouflage gear, and, while toting a 12-gauge shotgun, the Democratic presidential candidate traipsed around rural Ohio trying to kill geese and then claimed to have bagged one.

7_23_102104_kerry_huntingI don’t recall Sorkin expressing any public outrage over that incident since its intent was to further a political aim he supported: George W. Bush’s defeat at the polls. All of which goes to show that whatever you may think about Palin or hunting, Sorkin’s hissy fit is mere partisan tripe. Which, come to think of it, is as apt a characterization of his film and TV work as it is of Sarah Palin’s Alaska.


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