Had the letter not contained the names of celebrities Emma Thompson and Mike Leigh, I doubt it would have made the splash it did – and, to further Jonathan’s point about Peter Beinart and the role he plays in delegitimating Israel, the letter’s signatories include the usual suspects among the Jews-for-Justice-for-anyone-but-the-Jews, whose fame, in the world of the performing arts, is more closely linked to their anti-Zionist crusades than their artistic talents.
Still, one point deserves to be added to Jonathan’s excellent take-down.
The “artists” explain their call to target Habima on the grounds that Habima performed in the Territories and that “By inviting Habima, Shakespeare’s Globe is undermining the conscientious Israeli actors and playwrights who have refused to break international law.” The inference here is that giving a stage to Habima will undermine those in Israel who refused to go along and perform in Ariel and other settlements.
But it also suggests that performing in the Territories is a breach of international law.
Now that’s something else. There is no clause in the Fourth Geneva Convention forbidding theatre companies from performing a play in Territories under military occupation as a result of a conflict still waiting to be settled.
As an international law scholar whom I turned to in order to confirm the absence of such a rule from the annals of international law said with reference to the boycotters – “for them it is not international law, it is ‘my’ law.”
Same with Beinart and others afflicted by the same selective moral indignation – they make up facts and rules as they go along, which they then invoke to prove their hatred for Israel right.