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Cheering "Metamorphoses"
William Meyers — July 2002
- Abstract
In London, theatergoers who have become weary with the leftish works of Harold Pinter, Cheryl Churchill, David Hare, and their like can often turn to Tom Stoppard for relief. That option is usually unavailable in New York, where the cultural perspective is, if anything, even more depressingly narrow. But this past season has offered an exception.
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