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Concurring With Arthur Miller
- Abstract
When Arthur Miller died in 2005, most of the obituaries described him as a playwright of the first rank—though a few of the critical appraisals of his work that accompanied those obituaries were flecked with lingering doubts. Charles Isherwood’s New York Times
“appreciation,” for instance, was decidedly mixed. “Even in his finest work,” Isherwood wrote, “he sometimes succumbed to overstatement. . . . Themes, motifs, moral conclusions often glare from his plays like neon signs in a diner window.”
About the Author
Terry Teachout, COMMENTARY’s regular music critic and the drama critic of the Wall Street Journal, served as an editorial writer for the New York Daily News from 1987 to 1993. His "Rhythm Man: A Life of Louis Armstrong" is forthcoming next year from Harcourt.
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