The Cathedral and the Cube: Reflections on European Morale
At the far western end of the magnificent urban axis that runs from the Louvre down the Champs Elysées and through the Arc de Triomphe, crossing the Seine at the Pont de Neuilly, is the Grand Arch of La Défense—one of the “great projects” of the late French president François Mitterrand. Designed by Johann Otto von Spreckelsen, a Danish architect of sternly modernist sensibility, La Grande Arche is a colossal open cube: almost forty stories tall, 348 feet wide, faced in glass and in 2.47 acres of white Carrara marble.
On a hot, sunny afternoon—which is when I first saw it some seven years ago—La Grande Arche is, quite literally, dazzling. An elevator, definitely not recommended for anyone inclined to vertigo, whisks the visitor up to a rooftop terrace, which offers an unparalleled view of Paris, past the Tuileries to the Louvre and on to the Ile de la Cité, Sante Chapelle, and Notre-Dame.
About the Author
George Weigel is a senior fellow of the Ethics and Public Policy Center in Washington, D.C. and the author most recently of God’s Choice: Pope Benedict XVI and the Future of the Catholic Church (HarperCollins).