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    1. The Naked Novelist and the Dead Reputation
      Algis Valiunas
      September 2009
    2. Why Are Jews Liberals?—A Symposium
      David Wolpe, Jonathan D. Sarna, Michael Medved, William Kristol and Jeff Jacoby
      September 2009
    3. The Art of Obama Worship
      Michael J. Lewis
      September 2009
    4. Clyde and Bonnie Died for Nihilism
      Stephen Hunter
      July/August 2009
    5. The Path to Republican Revival
      Peter Wehner and Michael Gerson
      September 2009
  1. Why Are Jews Liberals?—A Symposium
    David Wolpe, Jonathan D. Sarna, Michael Medved, William Kristol and Jeff Jacoby
    September 2009
  2. The Naked Novelist and the Dead Reputation
    Algis Valiunas
    September 2009
  3. The Art of Obama Worship
    Michael J. Lewis
    September 2009
  4. The Path to Republican Revival
    Peter Wehner and Michael Gerson
    September 2009
  5. The Path to Republican Revival
    Peter Wehner and Michael Gerson
    September 2009

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We’ve Been Down This Road Before

Jennifer Rubin - 04.16.2008 - 1:06 PM

One of the complaints about Hillary’s candidacy is that another Clinton presidency would put us through four (or eight) more years of drama. The tale of Bill and Hillary is always one of angst, lies, and betrayal–the stuff of bad soap operas. And the campaign so far has been emotionally exhausting: gaffes from Bill, Hillary’s tall tales, staff members publicly at each other’s throats.

But now that we’ve seen Barack and Michelle Obama in action, it’s not clear an Obama presidency would be any better: the ministers, the left-wing extremists, the put-upon wife, the imperious husband, each day’s perceived racial slight. What’s more, we have already seen that at an extremely young age Obama wrote a book about . . . well, about himself. But unlike most memoirs, which recount great successes and professional and personal achievements, he hadn’t done much of note at the time. His personal identity drama was and still is his obsession–and could be America’s as well, come November. Is that a huge improvement on Clintonian psychodrama?

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