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    1. The Madness of Crowds
      John Steele Gordon
      November 2008
    2. Obama's Leftism
      Joshua Muravchik
      October 2008
    3. Putin and the Polite Pundits
      Arthur Herman
      October 2008
    4. Sending Iran's Regrets
      Michael J. Totten
    5. 1948, Israel, and the Palestinians: Annotated Text
      Efraim Karsh
  1. The Madness of Crowds
    John Steele Gordon
    November 2008
  2. Obama's Leftism
    Joshua Muravchik
    October 2008
  3. Putin and the Polite Pundits
    Arthur Herman
    October 2008
  4. 1948, Israel, and the Palestinians: Annotated Text
    Efraim Karsh
  5. Sending Iran's Regrets
    Michael J. Totten

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commentary's blogs: the horizon | contentions | connecting the dots
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COMING SOON: Sweeney Todd on Screen

Kyle Smith - 11.30.2007 - 7:07 PM

A few select critics and industry types (Angels in America playwright Tony Kushner was among those in attendance, on the arm of his husband, Entertainment Weekly’s critic Mark Harris) were finally shown director Tim Burton’s long-gestating big-screen adaptation of Stephen Sondheim’s Grand Guignol Broadway opera Sweeney Todd: The Demon Barber of Fleet Street last night at Lincoln Square on Manhattan’s Upper West Side. (The film opens on December 21.) Though macabre violence is at the heart of the story, Burton takes it too far. I haven’t seen a bloodier film since Hostel: Part II.

Stage directors challenged to deal with Sweeney’s throat-slashing make a virtue of not having cinematic special effects at their disposal; I once saw a production in which an opened artery was conveyed by a red ribbon set free to flutter at the throat. Burton’s Sweeney paints the town, the screen, and maybe the whole multiplex red. Even Brian De Palma’s brutal Iraq film Redacted, which realistically depicts a Jihadist beheading a kidnapped American serviceman, doesn’t depict the actual throat slashing, though a woman in the audience screamed when I first saw that film. Burton does.

As played by a riveting Johnny Depp, Sweeney makes arteries gush like fountains, with stage blood spattering his face and arms and even the camera lens, then dumps the bodies to the cellar with sickeningly awful noises as the corpses plummet to land head first on a cement floor. Women at Lincoln Square were seen covering their eyes during some of the goriest moments.

Stephen Sondheim’s masterpiece, to my mind one of the towering works of art of the 20th century, is a delicate balance of the comic, the horrific and the tragic, and it loses some of its comic pull when its violence is this explicit. The movie is rated R, but it isn’t hard to imagine a faithful version that would earn a PG-13 if it left the slashing largely to the imagination. And that would suffice.

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This entry was posted on Friday, November 30th, 2007 at 7:07 PM and is filed under The Horizon. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.

5 Responses to “COMING SOON: Sweeney Todd on Screen”

  1. 1
    pixologic Says:
    November 30th, 2007 at 8:23 PM

    Is it more brutl than SAW 3?

  2. 2
    pixologic Says:
    November 30th, 2007 at 8:24 PM

    brutl = brutal

  3. 3
    Steven Says:
    December 1st, 2007 at 11:39 PM

    The idea that Tim Burton is a great director is one of the biggest frauds of our time.

  4. 4
    pixologic Says:
    December 2nd, 2007 at 1:56 PM

    Tim Burton has directed some of the best movies: Big Fish, Ed Wood; and some of the worst movies: Planet of the Apes.

  5. 5
    “Sweeney Todd”: Too Bloody Violent? | KyleSmithOnline.com Says:
    August 2nd, 2008 at 11:27 PM

    […] And in the running for the title of violentest film of the year: “Saw IV,” “Hostel: Part II”–and “Sweeney Todd.” “It is a horror movie,” says Helena Bonham-Carter in the production notes. “There’s a lot of schlock, which [Tim Burton] finds incredibly funny, and a lot of gore, which again he finds incredibly funny.” Yes, but: it’s also supposed to be a comedy, and a love story. The blood factor alone in “Sweeney Todd” will prevent it from getting an Oscar nomination for Best Picture. More here. […]

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