Osama bin Laden’s latest video is very peculiar, and not only because he is sporting a fake beard.
One of the oddest moments comes when he recommends that Americans read the works of two authors, Noam Chomsky and Michael Scheuer. Scheuer, who ran the CIA’s al-Qaeda unit from 1996 to 1999, has been making a great name for himself as a counterterrorism expert since leaving the agency in 2004. Among other high-visibility perches, he serves as a “consultant” to both CBS and ABC News and is cited frequently by leading journalists.
The question is: is bin Laden’s endorsement of Scheuer’s books good for this pundit’s career? Although one should never underestimate the media’s lack of curiosity, my own guess is that it is going to hurt, and hurt badly.
Bin Laden’s endorsement is not the direct reason. Rather, the increasing attention it will bring him will also bring him increasing scrutiny. And scrutiny is not something Scheuer will easily withstand.
• What did Leonard Bernstein, Victor Borge, Dave Brubeck, the Budapest String Quartet, Johnny Cash, Noël Coward, Miles Davis, Doris Day, Bob Dylan, Vladimir Horowitz, John Gielgud, Glenn Gould, Michael Jackson, Marshall McLuhan, Albert Schweitzer, Frank Sinatra, Bruce Springsteen, Igor Stravinsky, and the original casts of Waiting for Godot and West Side Story have in common? They all recorded for Columbia. Gary Marmorstein’s The Label: The Story of Columbia Records is a breezily written primary-source history of the company whose artistically serious, technically innovative approach to the making of records—it was Columbia’s engineers who invented the long-playing record album in 1948—left a permanent mark on the history of American music.
Although Columbia was founded in 1889, it wasn’t until a half-century later, when it was bought by CBS, that it began its rise to cultural power. To an insufficiently appreciated extent, the label was soon reinvented in the image of one man, an aspiring classical composer turned record-company executive named Goddard Lieberson, whose wit, elegance, and unshakable self-assurance set the tone for Columbia’s postwar activities. Lieberson is more than deserving of a full-length biography of his own, but The Label offers the most detailed portrait to date of this spectacularly improbable character. A polymath who wrote a string quartet and a comic novel, Lieberson stole one of George Balanchine’s wives and used the profits raked in by such Mitch Miller-produced exercises in sugar-frosted pop banality as Rosemary Clooney’s “Come On-A My House” (as well as the Lieberson-produced original-cast albums of such Broadway musicals as South Pacific and My Fair Lady) to underwrite the recordings of the complete works of Stravinsky, Bernstein, Aaron Copland, and Anton Webern.
Norman Ornstein has an alarming piece on the Washington Post op-ed page this morning about the failure of our government to prepare to maintain continuity in the event of a devastating surprise terrorist attack with a weapon of mass destruction. This follows a June 12 op-ed in the New York Times by William J. Perry, Ashton B. Carter, and Michael M. May, stating that “the probability of a nuclear weapon one day going off in an American city cannot be calculated, but it is larger than it was five years ago.”
Building a nuclear bomb would be a formidable challenge for a terrorist group. Obtaining one would be a much easier route. How worried should we be? How real, in particular, is the loose nuclear-suitcase-bomb problem?
America’s twenty-second Secretary of Defense came to prominence in the world of intelligence, having risen up through the ranks of the analytical division of the CIA. To anyone familiar with the intractable problems besetting that side of that agency, this was a background that at the very minimum raised questions about whether Gates would be a yes-man, a timid bureaucrat, or an empty suit.
But back in mid-February, Max Boot gave Gates a favorable review here, citing his handling of himself at a gathering of defense officials in Munich. We’ve now had another month of our new SecDef. It is time to ask again: how is he shaping up?
The war is issue number one. Prior to getting his job, Gates served on the Iraq Study Group led by James Baker, which counseled begging Iran and Syria for assistance—“dialogue” was the code word for this used in the report—in extricating ourselves from the conflict and abandoning Iraq to the wolves: the U.S. “must adjust its role in Iraq to encourage the Iraqi people to take control of their own destiny.”