Earlier this week, I spoke to a group of young professionals, most of whom are conservative. And one of the conversations I had was with a person who was asking me about the link between culture and politics, arguing—as others I know have—that culture is “upstream,” and therefore in many respects more important, than politics.
This question reminded me of a passage from the late Alexander Bickel’s book The Morality of Consent, which deals in part with the competing traditions of Locke-Rousseau and Edmund Burke in Western thought and in American constitutionalism and political process:
The unexamined life, said Socrates, is not worth living. Nor is it bearable. To acknowledge no values at all is to deny a difference between ourselves and other particles that tumble in space. The irreducible value, though not the exclusive one, is the idea of law. Law is more than just another opinion; not because it embodies all right values, or because the values it does embody tend from time to time to reflect those of a majority or plurality, but because it is the value of values. Law is the principal institution through which a society can assert its values.
The Iranian regime’s reaction to the country’s Oscar victory, in which the Iranian film “A Separation” beat out Israeli contender “Footnote” for best foreign-language film, was indeed revealing, as Alana noted. But far more revealing was the fact that Israelis have been flocking to see the Iranian entry. For that one fact constitutes an eloquent rebuttal of all those who seek to paint Israel as being “undemocratic” and “anti-peace.”
Here’s how AP, after noting that “an impressive 30,000 Israeli filmgoers” have seen “A Separation” since it opened a week and a half ago, described the scene in Israel: “Ticket buyers stood in a long line on Sunday night at the Lev Smadar movie theater in Jerusalem. Omer Dilian, manager of the theater’s cafe, said ‘A Separation’ has drawn hundreds of viewers, even on weeknights … All the screenings in Lev theaters were sold out last Friday and Saturday.”
Abe’s post about the hypocrisy of rock stars who preach morality while cozying up to dictators inevitably brings the anti-Israel cultural boycotters to mind. Take, for instance, Grammy-winning jazz singer Cassandra Wilson, who canceled a planned performance in Israel last week at the behest of pro-Palestinian activists. But somehow, she discovered her moral conscience only one day after having received full payment for the scheduled show – of which she has so far agreed to refund only part. In other words, this paragon of morality used her newfound passion for the Palestinian cause to commit robbery in broad daylight.
Or then there’s indie pop group, The Pains of Being Pure at Heart, which recently canceled their planned performance in Israel. They, too, cited “political” reasons, in addition to scheduling pressures. But somehow, their moral conscience awoke only after they had managed to book a more lucrative gig in Malaysia for the same time.
In terms of lifestyle, dictators and rock stars occupy the same stratum. Consider only a fraction of what they share: palace residences, obsessively broadcast concern for the poor, appearances before strange crowds who chant their names, flattery from identical media sycophants, protection from hired flunkies who allow their eccentricities full expression, an ever-ready foul word for Israel, and another for the United States. Experientially, rock stardom is dictatorship without death squads and the pretense of governance.
Perhaps that’s why newly released pictures of British rock star Sting laughing it up with Syrian dictator Bashar al-Assad in 2008 seem to capture a moment of natural affinity. Who but a rock star understands the demands of the dictatorial daily grind? Viewing photos in the Daily Mail of the two happy men with glamorous wives in tow, it’s easy to imagine they’re trading stories of bumbling private-jet stewards or the headaches of polo-court installation or condemning rapacious capitalists (present company celebrated, of course) or whatever else the dictator-rock star class gets up to when not dictating or rock starring.
Rick Santorum has been given the gift of using vivid language to make his points. For example, at a Tea Party event in Troy, Michigan, Santorum said, “President Obama once said he wants everybody in America to go to college. What a snob!” He described the purpose of college as “indoctrination.” Santorum added, “Oh, I understand why [Obama] wants you to go to college. He wants to remake you in his image.”
If going after the current Democratic president wasn’t enough, Santorum decided to take on an iconic one from a half-century ago. In describing his reaction to John F. Kennedy’s 1960 speech to the Greater Houston Ministerial Association, Santorum repeated a statement he made in the past. Kennedy’s speech, Santorum said, made him want to “throw up.”