Commentary Magazine


Topic: Julius Streicher

Crossing the Line Between Satire and Hate

Last year, I took issue with Forward cartoonist Eli Valley’s Halloween graphic in which he explained why Israel was inevitably heading toward absorption into a majority Palestinian state. That was a nasty piece of agitprop combining tastelessness with shameless distortions of history. But in comparison to this year’s edition, I have to admit it seems a bit more reasonable than I thought it was at the time. After all, arguing that Israel’s defenders are harming it may be unreasonable and disconnected from reality, but underneath Valley’s deliberate attempts to outrage Jewish and Zionist sensibilities there is an argument, even if it is a foolish one.

But that’s more than you can say for his disgusting “Scary Science Experiment” in which he depicts a Dr. Frankenstein-style Jewish scientist (“Dr. Lowenstein”) being commissioned in 1957 by David Ben Gurion to clone Anne Frank with some DNA from Judah Maccabee. The result is — get it? — Anne Frankenstein, a monster who escapes in 1967 and then madly spreads havoc and fear around the world and whose latest escapade is to warn about red lines about Iran in a lame spoof of Benjamin Netanyahu’s United Nations speech last month.

There will be those who will argue that this is merely satire–and Halloween-themed satire at that–and should be taken as merely an attempt to provoke thought about Jewish and Israeli sacred cows. No doubt the editors of the Forward who allowed their pages to be polluted by it told themselves that. Maybe they even believe it. Maybe they also think turning a symbol of the Holocaust into a metaphor for Zionism gone mad is clever, even if there’s nothing particularly funny about Valley’s screed. Perhaps it even reflects their own sensibilities about the reality of contemporary Israel in which they think its right-wing/religious majority doesn’t represent their values and is therefore unworthy of support or respect. But that they think Valley’s work is within even the most generous definition of reasonable comment ought to be a sign that it is they who have lost their way. When a Jewish publication begins to publish a cartoon that is firmly within the tradition of Nazi ideologue Julius Streicher’s anti-Semitic illustrations, it is time for those associated with the Forward to ponder whether they have lost touch with not just Jewish values but with those of responsible journalism.

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