Over the weekend, the New York Times published an open letter from the Elie Wiesel Foundation, originally released July 11, signed by 51 Nobel laureates, including Wiesel, the Dalai Lama, and a host of other luminaries, decrying the various British boycotts of Israel. These boycotts, the statement read, “glorify prejudice and bigotry.”
But there is one man, reputed to know more about the horrific effects of “prejudice and bigotry” than anyone on earth, missing from the collection of signatories. The absence of his name is made even more conspicuous by the presence of another name: that of Frederick Willem de Klerk, the last apartheid-era President of South Africa, who ably helped his country transition into multi-racial democracy. (No doubt the “Israel is apartheid” crowd will use his presence for their propaganda purposes. The presence on the list of Wole Soyinka, the Nigerian novelist and playwright, should complicate their attempt.) The missing name, of course, belongs to Nelson Mandela. And its absence is not all too surprising. Mandela has long been a friend of tyrants, from Fidel Castro to Muammar Qaddafi to Yasir Arafat. In the current issue of Azure, I explore the theme of Mandela’s support for these autocrats within the larger context of the troubling direction in which his political party—the African National Congress—is taking South African foreign policy.




Mailer’s Grotesquerie
Almost a month after Lee Siegel’s expansive, unfocused paean to Norman Mailer’s The Castle in the Forest appeared in the New York Times Book Review, Ruth Franklin, a senior editor at the New Republic, has published her own astute (and devastating) review of the novel. (It’s worth noting that Siegel, in praising Mailer as a novelist, focused for the most part on Mailer’s works of “literary non-fiction.”) Franklin’s review skirts but does not point out explicitly the novel’s Manichean theology–a vision of the positive nature of evil that has consumed Mailer from the outset of his literary career. But both pieces are worth reading, especially for the sharp relief into which Franklin’s perspicacity casts Siegel’s confused tribute. And make sure to read John Gross’s review of The Castle in the Forest in the March issue of COMMENTARY.