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    1. The Argument for Lieberman
      John Podhoretz
    2. Sullivan's Travels
      Peter Wehner
    3. Why Iraq Was Inevitable
      Arthur Herman
      July/August 2008
    4. What to Do about Georgia
      Max Boot
    5. Who Really Wants Two States?
      Shmuel Rosner

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January 2008

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  1. The Argument for Lieberman
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Abstract –

On the spring day in 1945 that Nazi Germany’s official radio network broke the news of Adolf Hitler’s death, the announcement was followed by the playing of a 1942 recording by Wilhelm Furtwängler and the Berlin Philharmonic. The work chosen was the elegiac slow movement of Anton Bruckner’s Seventh Symphony. This was the last of countless times that classical music, most of it written by Bruckner and Richard Wagner, Hitler’s two favorite composers, was played on Nazi ceremonial occasions, or otherwise enlisted in the service of the Third Reich.


About the Author

Terry Teachout, COMMENTARY’s regular music critic and the drama critic of the Wall Street Journal, served as an editorial writer for the New York Daily News from 1987 to 1993. His "Rhythm Man: A Life of Louis Armstrong" is forthcoming next year from Harcourt.

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