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October 1990

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Abstract –

I am writing this with a five-for-a-dollar Bic ballpoint on lined notebook paper, both purchased for me in the hospital gift shop by a black orderly named Andre with a bebop walk and the hairdo known, I believe, as the Drippy. For someone who has always been quite sniffy about the materials of his craft—stationery by Balfour, pens by Mont Blanc—these are damned poor tools. But then I shouldn't be complaining. That the staff in the small psychiatric ward here at Louis A. Weiss Memorial Hospital allows me to have a pen or anything with a sharp point at all is a concession, a victory, a great leap forward in my recovery. Seven weeks ago, on the night I was dragged in here by the police, in a hammerlock, a cop's meaty hand over my mouth, through the emergency-room entrance on Clarendon Avenue, they made the mistake of leaving my watch on my wrist. When I woke from the first strong sedative I smashed the crystal and tried to eat the glass; or so they tell me. I guess I broke down in a big way, really flipped, cracked up in italics. Life's bitter little ironies, both my parents died at Louis A. Weiss Memorial. Louie Weiss was a big-time liquor distributor, from which, as we say in Chicago, you can draw your own conclusions. I can remember when the hospital was first built, on Marine Drive with views of the lake, in the 1950's. It seemed a grand place. Forgive the literary allusion, but whenever I thought of Louis A. Weiss Memorial Hospital I always remembered a passage from a Karl Shapiro poem which runs: This is the Oxford of all sicknesses. Kings have lain here and fabulous small Jews And actresses whose legs were always news.


About the Author

Joseph Epstein, whose story, “Marshall Wexler's Brilliant Career,” appeared in our July issue, is the editor of the American Scholar. His stories have also appeared in Harper's, Hudson Review, and The Best American Short Stories. A new book of his essays, A Line Out for A Walk, will be published by Norton in the spring.