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August 1946

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Abstract –

One of Sholom Aleichem's plays is called “It's Hard To Be A Jew.” When Solomon Rabinowitz made his first appearance as a writer, it was even harder to be a Jewish humorist—if not in real life, certainly in literature. One of the most original of Jewish writers began as an imitator of Mendele Mocher Sforim, the great moralist of the Haskalah period—the period of the “Enlightenment,” when part of the Eastern European Jews joined the movement for modern European culture. And for years the first-rate humorist remained a second-rate satirist.

When Sholom Aleichem began to write, the earnest militancy of the Haskalah period was still strong. Literature was still “the temple of literature,” as it had always been in Jewish tradition. It was a serious business: it was learning and moral uplift and discipline. Haskalah satire ridiculed people in order to improve them; no one suggested publicly that it was a healthy thing merely to laugh. The young Sholom Aleichem felt it neessar4 to adopt the serious and didactic tone of his elders, and his wonderful humor was reserved for private use, so to speak, in his correspondence. In his early years, his letters make far more entertaining reading than his uninspired efforts as a writer of “serious” literature.


About the Author

S. Niger (Samuel Charney), dean of Yiddish literary critics, comes of a family that includes the poet Daniel Charney, and the socialist leader and reformer B. Charney Vladeck. He was born in 1883 in Dukor, near Minsk, and studied at the Yeshivas of Berezin and Minsk. At Minsk, he was active in the group that sought to synthesize Zionist and Socialist aims, and was one of the founders of the Poale Zion (Socialist Zionist) movement. In 1908 he, together with two other young Yiddish writers, founded the first periodical devoted entirely to Yiddish literature. In 1910 and 1911 he studied at the Universities of Berlin and Berne and then returned to Vilna to take up the editorship of Yiddishe Velt, a new monthly which under him became a leading Jewish review. He came to America in 1919. He is a regular contributor to the Yiddish daily, the Day, an active teacher and lecturer, president of the Sholom Aleichem Folk Institute, president of the Louis Lamed Foundation for the Advancement of Hebrew and Yiddish Literature, and co-editor of Die Tzukunft. This essay appears on the thirtieth anniversary of the death of Sholom Aleichem, who died in New York City in 1916. A volume of English translations of Sholom Aleichem's stories has just been published by Crown, under the tide of The Old Country.

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