Earlier this week, Variety magazine reported that Robert DeNiro and his Tribeca Productions partner Jane Rosenthal have obtained the rights to Roy Rowan’s Chasing the Dragon: A Veteran Journalist’s Firsthand Account of the 1949 Chinese Revolution. Rowan, a former correspondent for Time and Life, will be a consultant on the film.
I probably will not be asked to help on this project, so I thought I should make some notes for DeNiro. The late 1940’s were heady times for Mao Zedong. He defeated a vastly superior adversary, Chiang Kai-shek, who enjoyed substantial American support. Yet Kai-shek was corrupt, weak, and incompetent. It’s no wonder that a ragtag army of rebels led by an assistant librarian with literary aspirations defeated him—Chiang had simply lost the hearts of the Chinese people. Mao did not win, so much as he occupied a vacuum after his opponent’s forces disintegrated.
The young Mao went on to preside over the early successes of the People’s Republic. So DeNiro’s film might end up making him look pretty good. Should we complain if Mao is portrayed as a hero during the revolution and the first few years of New China?
Actually, the better Mao looks on the big screen, the worse it is for his successors, especially the ones in power now. Hu Jintao, the current General Secretary of the Communist Party, will not like moviegoers making comparisons between the charismatic Mao of the early years and the drab and corrupt leaders who infest Beijing today. Hu knows that the Party has lost the hearts of the Chinese, and someone in the audience may just get the idea that it is time for another revolution in the great nation of China. Chinese idealism, after all, did not die with Mao Zedong.