Film Review: “U.N. Me” — Everything the Left Doesn’t Want to Know About the UN

Those who view his films as compendiums of distorted propaganda may rightly despise Michael Moore, but there’s no denying that his work re-popularized the documentary as an independent art form while effectively promoting his views. Moore and others who followed in his footsteps, such as Morgan Spurlock, whose “Super Size Me” lambasted the fast food industry, created a popular template in which the filmmaker’s personal narrative, interspersed with humor and relentless attempts to expose and thereby belittle the objects of their scorn, set the standard for the genre. But the question for viewers of a newly released film that was created in the spirit of “Roger and Me, ” “Bowling for Columbine” or “Super Size Me” is whether there is an audience for this sort of work if the subject matter is not one that liberals and leftists love to hate.

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Film Review: “U.N. Me” — Everything the Left Doesn’t Want to Know About the UN

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Just How High Was Iran’s Voter Turnout?

Go to the provinces.

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The False Backlash Over Anonymous Sources

Rational skepticism or partisan angst?

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The Next Lebanon War Will be Different

Iran and Hezbollah are calling the shots.

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Theatrics, Outrage, and Normalcy

The Trump budget: "Hateful," "immoral," and an "attack" on Americans.

Five months into the Trump presidency, it does feel as though life has been moving along at a record pace. Following the breakneck speed with which scandals and controversies involving the Trump administration are revealed, examined, and subsumed into a broader narrative has been a struggle. It’s a welcome break, then, that the release of Donald Trump’s proposed budget has ushered in a familiar dynamic in Washington. Democrats have shifted from expressing grave and honest concerns about the president’s conduct to feigning outsize indignation over the president’s priorities. It’s a happy return to normalcy.

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